The MusicMan Stingray Bass Guitar is an electric bass guitar produced by MusicMan Inc. This company was actually founded by two former employees of Fender, which was then one of the leading guitar manufacturers. Along with Walker and Sterling Ball, Leo Fender designed the MusicMan Stingray Bass Guitar in 1976.
The MusicMan Stingray Bass Guitar is similar in appearance to the Fender Precision Bass Guitar, but features great innovations. One of the innovations is the “soapbar” humbucking pick-up, along with the Stingray’s 3-band equalizer. This equalizer enables the MusicMan Stingray Bass Guitar to boost, low, mid range, and high frequencies. This was indeed a major breakthrough for the Stingray since no other electric bass guitars without active preamps have this capability before.
Aside from these electronic advancements, the MusicMan Stingray Bass Guitar has a classic, heavy satin finish on the back of the neck for the players hand to conveniently slide up and down while playing. Moreover, the MusicMan Stingray Bass Guitar comes with a separate control plate and a pick guard that is egg shaped. Apart from these physical features, the most prominent physical feature of this guitar is the “3+1” headstock with which the three tuning machines are situated.
Over the years, modifications on the MusicMan Stingray Bass Guitar were made. One of the primary modifications done was the omission of the string-through-body stringing at the bridge, and the adjustable string mutes. However, for the 30th anniversary in 2006, MusicMan produced a Stingray which features the string-through-body design. Furthermore, it uses solid mahogany for the body with a Crimson Red Transparent finish.
Other modifications of the MusicMan Stingray Bass Guitar include a 5-string version with a distinctive truss-rod neck adjustment using a highly rust and corrosion resistant washer. These modifications made the neck adjustment of the Stingray easier.
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One such version was developed in Hollywood, California with the help of Sammy Hagar. It features a solid body and two humbucker pickups. There is a standard Yamaha neck and the bridge pickup is a Seymore Duncan JB. There are separate volume controls as well as a rosewood fretboard with a Cabo Wabo on the 12th fret.
The Fender Precision Bass Guitar was patterned after the electric bass guitar personally designed by Leo Fender and was introduced to the market in 1951.
Of course there is a bit of controversy surrounding the input into the design of the Gibson Les Pall by the artist. Some accounts insist that he played a crucial role in the guitar’s design while others insist that there was none or very little. The most controversial aspect is that of two contributions which includes the color preference of the guitar and the tailpiece design. At the same time, Gibson’s president, Ted McCarty also insists that Les was only brought on to endorse the design and nothing more.
Also, over the years many new color options have been introduced. While it is the body lines and shape that set the Les Paul apart from the rest of the Gibson’s, there was a need to introduce color options such as Classic White, Ebony, Wine Red, Alpine and Fire Burst so as to make it attractive to a larger audience.
One thing that is advantageous for fretless bass guitars is that these guitars are not limited to certain temperaments or tuning systems. For this reason, fretless bass guitars can play music that is not only in 12-tone scales, which are very typical of experimental music. Moreover, fretless bass guitars are capable of absorbing energy from the vibrating strings much faster, thus producing a distinctive sound. This causes the pizzicato of fretless bass guitars to sound more damped than the other guitars.
The design and construction of the Gibson Thunderbird underwent a revolution, as its design was changed in 1966 due to a lawsuit that was filed by Fender because of its resemblance to one of its products, the Fender Jazzmaster. This has caused the design of the body of the Thunderbird to be changed to ‘non-reverse’, as opposed to its original reverse body design. However, the production of the revised Gibson Thunderbird guitars was discontinued in 1969. In 1976, the Thunderbird, in its original reverse form, was reissued as a bicentennial edition, and continued production until 1979. It was again discontinued since then. However, in 1987, the Gibson Thunderbird models were introduced again, with the Thunderbird IV, and the Nikki Six Signature Thunderbird IV in its line. Both of these models have two pick-ups and have retained the reverse bodies.
However, it is difficult to hear acoustic bass guitars if these are not amplified, such that these are employed with pick-ups. These pick-ups can either be piezoelectric, magnetic, or both. The pick-ups enable these bass guitars to be amplified with a bass amplifier. These bass guitars and their variations are significantly featured in the traditional music of Mexico. 
In recent years, Washburn has been getting increased recognition in the recording industry. An increasing number of bands; both well known and garage bands have begun turning to them for their instrumental needs. From the punk and hard rock scene to the country music aficionado, Washburn offers just about anything that any musician could want.
It would not be until 1928 that the very first Epiphone guitar line would be produced. They continued on throughout the next few decades as a leader in the guitar industry until Epi Stathopoulos’s death back in 1943. With his brother in control of the company, it would soon begin to falter due to their lack of managerial skills. Eventually World War II would sink in a final blow and the company would be bought out by their rival, Gibson Guitars.
By the mid-1960’s the Ibanez designs began to follow suit with those of the American’s like Fender and Gibson as a means of staying competative. This was the same era that the first Japanese motorcycles and other japanes made products would become widely available in the the Western World. Because of this the company faced a number of lawsuits for copying the designs of the big name manufacturers and so they chose to begin making their own designs. Ever since the 1960’s every single Ibanez guitar has been designed without any influence from their competitors.